Contenidos
Pablo d ors libros
The contemplative gaze of pablo d ors
After graduating in New York and studying Philosophy and Theology in Rome, Prague and Vienna -where he specialized in Germanistics-, he received his doctorate in Rome in 1996,[2] under the direction of his teacher Elmar Salmann, with a thesis entitled “Theopoetics. Theology of literary experience”. He was ordained a priest in 1991,[2] and assigned to the Claretian mission in Honduras, where he carried out evangelizing and social work.
His career as a novelist began in 2000, inaugurating his unmistakable style, comic and lyrical at the same time, spiritual and sensory. Jordi Gracia García found in the stories of El estreno (2000) by Pablo d’Ors a “stimulating and suggestive” form of literary equivocity, which “oscillated between the chronicle of the writer with a name and inventive fabulation.”[3] The novelist’s work is a “stimulating and suggestive” literary equivocity.
Desert fathers
After graduating in New York and studying Philosophy and Theology in Rome, Prague and Vienna – where he specialized in Germanistics – he received his doctorate in Rome in 1996,[2] under the direction of his teacher Elmar Salmann, with a thesis entitled “Theopoetics. Theology of literary experience”. He was ordained a priest in 1991,[2] and assigned to the Claretian mission in Honduras, where he carried out evangelizing and social work.
His career as a novelist began in 2000, inaugurating his unmistakable style, comic and lyrical at the same time, spiritual and sensory. Jordi Gracia García found in the stories of El estreno (2000) by Pablo d’Ors a “stimulating and suggestive” form of literary equivocity, which “oscillated between the chronicle of the writer with a name and inventive fabulation.”[3] The novelist’s work is a “stimulating and suggestive” form of literary equivocity.
Priestly ordination
After graduating in New York and studying Philosophy and Theology in Rome, Prague and Vienna – where he specialized in Germanistics – he received his doctorate in Rome in 1996,[2] under the direction of his teacher Elmar Salmann, with a thesis entitled “Theopoetics. Theology of literary experience”. He was ordained a priest in 1991,[2] and assigned to the Claretian mission in Honduras, where he carried out evangelizing and social work.
His career as a novelist began in 2000, inaugurating his unmistakable style, comic and lyrical at the same time, spiritual and sensory. Jordi Gracia García found in the stories of El estreno (2000) by Pablo d’Ors a “stimulating and suggestive” form of literary equivocity, which “oscillated between the chronicle of the writer with a name and inventive fabulation.”[3] The novelist’s work is a “stimulating and suggestive” form of literary equivocity.
Dramaturgia
En la estela de Chesterton convertido en ferviente católico e intrépido escritor gracias al padre John O’Connor, otro padre pero de nuestros días llamado Pablo d’Ors profesa un oficio de escritor con esa franja de lo católico como horizonte. Y que el asunto acabe siendo inapreciable en ambos casos, si sólo nos dedicamos a su literatura de ficción sin otros condicionantes, habla muy a favor de un catolicismo intachable.
Sí señores. Más que algunos (y no es que yo sea un católico convencido precisamente), tipos como Pablo d’Ors hacen que el catolicismo se mueva en sintonía con los tiempos. Está claro que en su vertiente ensayística, la ideología de Pablo d’Ors aborda lo espiritual bajo los parámetros de su fe. Pero se trata de eso, de ensayos, por cierto muy bien acogidos por la crítica, donde el autor hurga en su propio imaginario para aportar su clarividencia, para encontrar soluciones o para lanzar proyecciones de ideas al menos…, de eso trata el pensamiento libre.
Toda religión necesita siempre una adaptación en el tiempo. En lo que respecta a los educados en el catolicismo, por ejemplo las parábolas pueden ser símbolos orientadores pero están totalmente desfasadas en su imaginario más preciso. Por eso nunca está de más que alguien como Pablo se devane los sesos para traer al presente lo que de positivo tiene una religión de cara a la construcción del individuo desde dentro.
